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Václav Havel (1936- )

 

President of the Czech Republic, prominent playwright and poet, one of the leading intellectual figures and moral forces in Eastern Europe. Havel's role as a public figure has now somewhat overshadowed his record as a dramatist and political essayist. His works often deal with the power of language to interfere with clear thought.

"There are no exact guidelines. There are probably no guidelines at all. The only thing I can recommend at this stage is a sense of humor, an ability to see things in their ridiculous and absurd dimensions, to laugh at others and at ourselves, a sense of irony regarding everything that calls out for parody in this world. In other words, I can only recommend perspective and distance. Awareness of all the most dangerous kinds of vanity, both in others and in ourselves. A good mind. A modest certainty about the meaning of things. Gratitude for the gift of life and the courage to take responsibility for it. Vigilance of spirit." (Havel upon receiving the Open Society Prize awarded by the Central European University in 1999, trans. by Paul Wilson)

Václav Havel was born into a well-to-do family in Prague. His father owned Prague's cliff-top Barrandov suburb and his mother, Bozena Havlova, the daughter of an ambassador and journalist, encouraged her son's intellectual and artistic ambitions. In his youth he formed a literary circle called Thirty-Sixers, after the year of its members' birth. Because of his 'bourgeois' background he was denied the right to attend university. At the age of fifteen, Havel became interested in poetry. With the future film director Milos Forman he visited the poet Jaroslav Seifert, who read his first texts. Although Kafka's literary heritage was nearly buried by the authorities, his works deeply influenced Havel.

In 1951-55 Havel worked as a laboratory technician. He studied at a technical college (1955-57) and served in the Czechoslovak Army (1957-59). Havel had joined Group 42, and after challenging the older generation of writers in their magazine Kveten (May), he was for the first time noticed as a writer. In 1964 Havel married Olga Šplíchalová (1933-1996). They bought a small farm near the Polish border, where the happy couple was visited by a number of their friends. After his wife's death Havel married an actress, the former Dagmar Veskrnova.

In the 1960s Havel made his way in the theater, first as a stagehand, and then becoming resident writer for the Prague "Theatre on the Balustrade" from 1960 to 1969. During this time he continued his education at the Prague Academy of Art. His first play as the dramatic consultant of the theater Na Zábradlí, The Garden Party (1963), was a satire of modern bureaucratic routines. It was a success both at home and abroad. In the footsteps of George Orwell Havel became interested in language - in the play the protagonist acquires an "official" language and rises to bureaucratic fame. Havel was subsequently enrolled at the Academy of Dramatic Arts and he graduated in 1967. A few years earlier he had joined the editorial board of the literary magazine Tvár, which was soon in conflict with the conservative Writers' Association. Václav Klaus, who later became Havel's successor as president of the Czech Republic, contibuted articles on economics for the magazine. Tvár ceased to appear in 1969. In the same year Havel's passport was confiscated because his writings were considered subversive.

As a playwright Havel has used dramatic techniques to make situations or characters seem ridiculous. In The Memorandum (1965) he introduced an artificial language that is supposed to allow for greater precision in communication. The absurd attempt results in a complete breakdown of human relationships. The theme was taken even further in The Increased Difficulty of Concentration (1968), in which Havel attacked fashionable sociological terminology. Prague Spring was crushed by Soviet-led Warsaw Pact forces in 1968. In the 1970s Havel wrote a series of one-act plays, Audience (1978), Private View (1978), and Protest (1978), in which the protagonist is a dissident playwright in trouble with the authorities. Most plays from this period are built around the writer Vanék, who faces the absurd realities of Czech life.

In the 1960s Havel satirized communist bureaucracy and supported the Prague Spring reform movement of 1968. His letter to the Czech President Gustav Husák - the popular party secretary Alexander Dubcek had been expelled - did not lead to official action, but copies of its text spread widely. Havel was a cofounder of the human rights organization Charter 77 and the Committee for the Defence of the Unjustly Prosecuted (VONS). His works were banned by the hard-line government, but the manuscripts circulated privately and were printed in Western Europe. Havel's plays did much to bring world attention to the Czechoslovakian struggle. Throughout this period he was subjected to police harassment and arrests. In 1979 he was sentenced to four and a half years imprisonment for subversion of the republic. He was released in 1983 because of illness. Between the years 1987 and 1989 Havel was a member of the editorial board of the samizdat newspaper Lidové Noviny, and a regular contributor.

A new period in the development of Havel's dramatic art started in the 1980s. His plays reflected identity problems and philosophical moral problems as in Temptation (1986), a modern reworking of Faust. In Largo desolatio (1985) the hero, another writer character, finds it difficult to deal with the burdens imposed on him both by his enemies and by his friends. The hero no longer appears clearly as a "dissident".

As an essayist Havel has carried on the tradition of democratic and liberal thought. Unlike other dissident writers, Havel had no illusions as to the humane nature of communism or the possibility of democratization. At the same time, he denounced the egotism of the consumer civilization of Western society - a theme familiar from the writings of Mary McCarthy. Like the famous Russian Nobel writer and dissident, Aleksandr Solzhenitsyn, Havel has underlined the moral revival of the individual in the change of the social order.

"It has been our absolutely basic historical experience that, in the long run, the only thing that can be truly successful and meaningful politically must first and foremost-that is, before it has taken any political form at all-be a proper and adequate response to the fundamental moral dilemmas of the time, or an expression of respect for the imperatives of the moral order bequeathed to us by our culture. It is a very clear understanding that the only kind of politics that truly makes sense is one that is guided by conscience. " (Havel in 1999)

During the 1970s and 1980s Havel was repeatedly arrested, and he served several years in prison for his dissident activities (1977, 1978-79, 1979-83, 1989). After the communist regime sentenced Havel in 1979 to 4 1/2 years in prison for subversion, he was given the opportunity to emigrate, but he chose imprisonment. In the 1980s Havel became the undisputed unofficial leader of the Czechoslovak human rights movement. In November 1989 he formed a new opposition group, Civic Forum. Following the fall of communism, Alexander Dubcek (1921-92), who had launched a series of reforms in 1968 and was subsequently expelled from the Presidium, was elected chairman of the parliament. Havel was elected in 1989 by direct popular vote as president of the Czech and Slovak Federal Republic, following Gustav Husák.

Havel's first great defeat was the 1992 break-up of Czechoslovakia. He resigned but was elected president of the new Czech Republic in February 1993. Havel's mission in his office was to restore a healthy democracy in his country. "The worst thing is that we live in a contaminated moral environment," Havel had already said in his 1990 New Year's speech, which shocked most listeners. "We fell morally ill because we became used to saying something different from what we thought." Havel promoted reconciliation with Germany, and lobbied for the Czech's Republic's entry into Nato and the European Union. In his address at the Nato summit on April 23, 1999, Havel stated: "The fact that a former powerful strategic adversary has disappeared from the scene does not, however, mean that in the world of today human lives, human rights, human dignity and the freedom of nations are no longer in danger. They are, unfortunately, still being threatened, and collective defence of the democratic states of the Euro-Atlantic sphere of civilization, therefore, still remains a valid concept." Havel has said that as soon as his homeland does not need him, "I will with great appetite devote myself to my original profession."

Václav Klaus, who served as prime minister from 1992 to 1997, carried the responsibility of economic reforms of the country. Eventually Wednesday meetings with Klaus, a strong-willed advocate of the free market economy, turned into a nightmarish experience for Havel. When Havel invited Salman Rushdie to the Prague Castle, Klaus accused Havel of risking the country's security concerns. Before stepping down as President, Havel became the target of smear campaigns by the tabloid media and he was criticized by communists. However, he remained for most citizens in his country among the most popular politicians.

See also: other statesman/writers Lennart Meri, Léopold Senghor - Note: The music of Frank Zappa and Lou Reed inspired Havel and other dissidents during their struggle against Soviet rule. During Havel's visit in the United States in 1998 Lou Reed played at the state dinner in the White House at the Czech president's request. - For further reading: Vaclav Havel: A Political Tragedy in Six Acts by John Keane (2000); Encyclopedia of World Literature in the 20th Century, vol. 2, ed. by Steven R. Serafin (1999); Philosophy and Politics in Václav Havel's Largo Desolato by A. Thomas (1995, in The Labyrinth of the World); Václav Havel by Eda Kriseová (1993); Contemporary World Writers, ed. by Tracey Chevalier (1993); Postnational Identity: Critical Theory and Existential Philosophy in Habermas, Kierkegaard, and Havel by Martin J. Matusik (1993); The Reluctant President by Michael Simmons (1991); The Power of the Powerless: Citizen against the State in Central-Eastern Europe, ed. by J. Keane (1985); The Silenced Theatre by M. Goetz-Stankiewicz (1979) - Note: Havel's collection of letters, Letter to Olga, contains his correspondence to his wife Olga Splíchalová while he was imprisoned from 1979 to 1982, and Disturbing the Peace, which presents his thoughts on life, literature, and polititics. Havel's first wife died in 1996 and in 1997 he married Dagmar Veskrnova. - Havel's numerous awards include Obie Award (1968, 1970), Austrian State Prize (1969), Prix Plaisir du Théâtre (1981), Palach Prize (1981), Erasmus Prize (1986), Olof Palme Prize(1989), UNESCO Bolivar Prize (1990), Friedrich-Ebert Foundation Political Book of the Year Award (1990), Malaparte Prize (1990), Legion of Honour Grand Cross (1990), Charlemange Prize (1991), Sonning Prize (1991), Averell Harriman Democracy Award (1991), B'nai B'rith Prize (1991), Freedom Award (1991), Raoul Wallenberg Human Rights Award (1991), Leonhard-Frank-Ring (1992), Indira Gandhi Prize (1993), European Cultural Society Award (1993), Order of the White Eagle (Poland, 1993), Golden Honorary Order of Freedom (Slovenia, 1993). Havel has honorary degrees from over a dozen universities. - Suomeksi Havelilta on julkaistu myös teos Asioista kuultuna (1990).

Selected works:

  • Autostop, 1961 (with Ivan Vyskocil)
  • Nejlepší rocky paní Hermanové, 1962 (with Miloš Macourek)
  • Záhradní slavnost, 1963 (play) - The Garden Party - suom. Puutarhajuhla
  • Josef Capec, 1963 (with Vera Ptácková)
  • Vyrozumení, 1965 (play) - The Memorandum - suom. Tiedotus
  • Protokoly, 1966
  • Zitizená moznost soustredeni, 1968 - The Increased Difficulty of Concentration
  • Andel strázý, 1968 (radio play)
  • ed.: Podoby 2, 1969
  • Spiklenci, 1974 - The Conspirators
  • Audience, 1975 (samizdat) - trans. - suom. Vastaanotto
  • Vernizáz, 1975 (samizdat) - Private View - suom. Avajaiset
  • Zebrácká opwera, 1976 - The Beggar's Opera
  • ed.: Pohledy I, 1974 (samizdat)
  • Motýl na anténe, 1975 (television play)
  • Zebrácká opera, 1976 (samizdat) - The Beggars Opera
  • Hry 1970-1976, 1977
  • Horský hotel, 1977 (samizdat)
  • Sorry, 1978
  • Protest, 1978 (samizdat) - trans.
  • Moc bezmocných, 1978 (samizdat) - The Power of the Powerless
  • Audience and Private View, as Sorry: Two Plays, 1978-79
  • Šestnáct dopisu, 1982 (samizdat)
  • Chyba, 1983 (samizdat) - The Mistake
  • Dopisy Olze, 1983 - Letters to Olga
  • Thriller, 1984 (samizdat) - The Idler
  • O lidskou identitu, 1984
  • Politika a svedomi, in Prirozený svet jako politický problém, 1984 (samizdat) - Politics and Conscience
  • Výzva k transcendenci, with Consolatio philosophiae hodierna, 1984
  • ed. Prirozený svet jako politický problém, 1984 (samizdat, with Václav Belohradský and others)
  • Largo desolatio, 1985 (samizdat)
  • ed.: Hostina, 1985 (samizdat)
  • The Anatomy of a Reticence: Eastern European Dissidents and the Peace Movement in the West, 1985
  • Disturbing the Peace: A Conversation with Karel Hvizdala, published underground in Prague in 1986
  • Ztizené moznosti, 1986
  • Pokoušeni, 1986 (samizdat) - Temptation
  • Living in the Truth (also includes essays by other writers addressed to Havel), 1986
  • Pokousení, 1986 - Temptation
  • Dekovná rec pri udelení Erasmovy ceny, 1986 (samizdat, Acceptance Speech Written on the Occasion of the Award of the Erasmus Prize 1986)
  • Asanace, 1987 (samizdat) - Redevelopement
  • Temptation, 1987
  • The Vanek Plays, Four Authors, One Character, 1987
  • Do ruzných stran: Eseje a claánky z let 1983-1989, 1989
  • Provejy, 1990
  • Three V. Plays, 1990
  • Disturbing the Peace, 1990
  • Open Letters: Selected Prose 1965-1990, 1991(ed. by Paul Wilson)
  • Selected Plays, 1963-1983, 1991
  • Letní premítání, 1991 - Summer Meditations
  • Vázení obcane, 1992
  • Fragments of Memory, 1992
  • Ctyri eseje, 1993
  • Selected Plays, 1984-1987, 1994
  • Literature and Tolerance, 1995
  • Prosim Struckne, 2006 - To the Castle and Back (trans. by Paul Wilson)


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