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Rupert (Chawner) Brooke (1887-1915) | |
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Promising English poet who died young in World War I. Brooke's best-known work is the sonnet sequence 1914 AND OTHER POEMS (1915), containing the famous 'The Soldier.' Poets have always glorified war, and Brooke did his best to continue the tradition, and sacrifice himself in this effort. His death made him the hero of the first phase of the war and a canonized symbol of all the gifted young people destroyed by the conflict. However, Brooke's poetry with its patriotic mood and naive enthusiasm went out of fashion as the realities of warfare were fully understood. "If I should die, think only this of me: Rupert Brooke was born in Rugby, Warwickshire, where his father taught classics and was a housemaster at Rugby School. In his childhood Brooke immersed himself in English poetry and twice won the school poetry prize. In 1906 he went to King's college, Cambridge, and became friends with G.E. Moore, Lytton Strachey, Maynard Keynes, Roger Fry, and Leonard Fry, members of the future Bloomsbury Group. In 1910 Brooke's father died suddenly, and Brooke was for a short time in Rugby a deputy housemaster. Thereafter Brooke lived on an allowance from his mother. In 1911 he worked on a thesis on the playwright John Webster and the Elizabethan drama, and travelled in Germany and Italy. In England he was a leader of a group of young 'Neo-pagans', who slept outdoors, embraced a religion of nature, and swam naked - among others Virginia Woolf joined the swimmers in Grantchester. However, sex was something that was not part of the fun - "We don't copulate without marriage, but we do meet in cafes, talk on buses, go on unchaperoned walks, stay with each other, give each other books, without marriage," Brooke once told to his friend. In 1911 appeared Brooke first collection of verse, POEMS, and his work was featured in the periodical Georgian Poetry, edited by his friend, Sir Edward Marsh. Over the next twenty years, the book sold almost 100 000 copies. In 1911 Brooke was secretly engaged to Noel Olivier, five years his junior. The affair was for all participants frustrating and subsequently Brooke had an affair with the actress Cathleen Nesbitt. Overworked and emotionally empty, Brooke suffered a nervous breakdown. In the spring of 1912, Brooke and Ka Cox went to Germany, where he wrote 'The Old Vicarage, Grantchester', which is among his most admired poems. It has been assumed that Ka Cox bore Brooke's stillborn child. In England Brooke assembled with others the hugely successful anthology Georgian Poetry: 1911-1912. Brooke's thesis brought him a fellowship at King's College in 1913. "Say, is there Beauty yet to find? Between the years 1913 and 1914 Brooke spent wandering in North America and the South Seas, and depicted the impressions in his LETTERS FROM AMERICA (1916). Henry James's introduction to it was completely slashed by A.C. Benson: "After all H.J.'s pontification, R.B.'s robust letters are almost a shock. It is as if one went up to receive a sacrament in a great, dark church, and were greeted by shouts of laughter and shower of chocolate creams." Brooke spent three months on Tahiti, wrote some of his finest poems, and had an affair with a woman called Taatamata, commemorated in 'Tiare Tahiti'. In 1914 Brooke became friends with Winston Churchill and the Asquith family. The outbreak of World War I. interrupted Brooke's career as a writer. He was commissioned in Churchill's Royal Navy Division, and joined the Dardanelles expedition. Brooke did not see any action. He died of septicemia as a result of a mosquito bite - or according to some sources of food poisoning - on a hospital ship off Scyros on April 23, 1915. Brooke was buried on the island. Henry James mourned Brooke's early death and the poet's legend was further solidified when Winston Churchill produced his own contribution to it with an obituary text. Brooke's appeal began to wane after the acrid poems of Wilfred Owen (1893-1918), who was machine-gunned to death, and Siegfried Sassoon's visions of "the hell where youth and laugher go," as Sassoon wrote. In France as a by-product of the war, writers returning home from the trenches created such artistic and literary movements as Dada and Surrealism and in England T.S. Eliot expressed his feeling of meaningless in The Waste Land. Brooke's chivalry became his literary burden and he is now chiefly valued for his lighter verse, for the Tahiti poems, and for a few sonnets. For further reading: Rupert Brooke by William E. Laskowski (1994); The Neo-Pagans by P. Delany (1987); Rupert Brooke by J. Lehman (1980); Rupert Brooke by R.B. Persall (1979); Rupert Brooke by V. Woolf and G. Keynes (1978); Rubert Brooke: A Biography by Christopher Vernon Hassall (1964); A Bibliography of Rupert Brooke by G. Keynes (1959); Red Wine of Youth by A. Stringer (1948); Men and Memories by A.C. Benson (1924); Rupert Brooke and theIntellectual Imagination by Walter de la Mare (1919) - Note: Geogians, a term generally applied to authors who wrote during the reign of George V, 1910-36, and specifially referring to the poest included in the five volume anthology Georgian Poetry (1912-22). Critics - among them the Bloomsbury group - assailed its naivete. - James Strachey: "Rupert wasn't nearly so nice as people now imagine; but he was a great deal cleverer." (see Friends and Apostles: The Correspondence of Rupert Brooke and James Strachey 1905-1914, ed. by Keith Hale; 1998) - Virginia Woolf: "So much has been written of his personal beauty that to state one's own first impression of him in that respect needs some audacity, since the first impression was of a type so conventionally handsome and English as to make it inexpressive or expressive only of something that one might be inclined half-humorously to disparage. He was the type of English young manhood at its healthiest and most vigorous. Perhaps at the particular stage he had then reached, following upon the decadent phase of his first Cambridge days, he emphasized this purposely: he was consciously and defiantly pagan." (from Books and Portraits by Virginia Woolf, ed. by Mary Lyon, 1977) Selected works:
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