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C(ecil) Day Lewis (1904-1972) - pseudonym NICHOLAS BLAKE

 

Anglo-Irish poet, critic, and educator. Cecil Day-Lewis was appointed Poet Laureate in 1968. He also gained fame as a detective story writer under the name Nicholas Blake. In sixteen of his twenty mystery novels the hero was Nigel Stangeways, an Oxford graduate, who was modeled after W.H. Auden. Lewis was married twice and fathered five children, one of whom is the Academy Award-winning actor Daniel Day-Lewis.

"Nigel's six feet sprawled all over the place; his gestures were nervous and little uncouth; a lock of sandy coloured hair dropping over his forehead, and the deceptive naïveté of his face in repose gave him a resemblance to an overgrown prep. schoolboy. His eyes were the same blue as his uncle's, but shortsighted and noncommittal. Yet there was an underlying similarity between the two. A latent, sardonic humor in their conversation, a friendliness and simple generosity in their smiles, and that impression of energy in reserve which is always given by those who possess an abundance of life directed towards consciously-realised aims." (from Thou Shell of Death, 1936)

Cecil Day-Lewis was born at Ballintubber, Queen's County (now county Laois), Ireland. His father was a Protestant clergyman. After his mother died, he was brought up in London by his father, with the help of an aunt. Day Lewis graduated from Wadham College, Oxford, in 1927. In Oxford he became part of the circle that gathered around W.H. Auden and helped him to edit Oxford Poetry 1927. His own first collection of poems, BEECHEN VIRGIL, appeared in 1925.

Tempt me no more, for I
Have known the lightning's hour,
The poet's inward pride,
The certainty of power.

(from 'Tempt Me No More')

In his youth Day-Lewis adopted communist views but after the late 1930s he gradually became disillusioned. As an act of rebellion, he also removed the hyphen in his name, but reinstated it later in life. In 1928 he married Mary King, the daughter of a Sherborne master, and worked as a schoolmaster at three schools. In 1935 Day-Lewis decided to supplement his income from poetry by writing a detective novel. He needed money to repair the roof of the cottage he was then living in. His agent advised him to separate the roles of detective novelist and poet. Thus he created Nigel Strangeways, the hero of sixteen of his twenty books. The first novel, A QUESTION OF PROOF, published under the pseudonym Nicholas Blake, was written to pay for the repair of a leaky roof. For Day-Lewis's surprise, it became a selection of the Crime Club and eventually was followed by nineteen more crime novels. From the mid-1930s Day-Lewis was able to earn his living by writing.

'Well, I've not been in jail yet. I did get fined for sitting in Trafalgar Square. It was one of those Committee of a Hundred picnics.'
'I see. You believe in unilateral disarmament?'
'Every sensible person does.' Cherry took a deep breath, about to launch on a political speenc, but Sparkes forestalled her.
'Would you say that betraying your country's secrets to an enemy advanced the cause of nuclear disarmament?'

(from Ask Me Another, 1964)

By the end of the decade Day-Lewis was living in Devon. He had published several collections of poems under the influence of Auden, among others FROM FEATHERS TO IRON (1932), COLLECTED POEMS (1935), and A TIME TO DANCE AND OTHER POEMS (1935). From 1941 he worked at the Ministry of Information as an editor in the publication department. At the end of the war he joined the firm Chatto&Windus as a director and senior editor. In WORD OVER ALL (1943) Day-Lewis distanced him from Auden and reached his full stature as a poet. The poems also reflected his personal life, an affair which resulted in a son, and the relationship with the novelist Rosamund Lehmann.

In 1951 Day-Lewis married actress Jill Balcon, with whom he lived in a large Georgian house in Greenwich. He was professor of poetry at Oxford in 1951-56, and a lecturer in the 1950s and 1960s at several universities. In succession to John Masefield he was appointed Poet Laureate in 1968. Day-Lewis was chairman of the Arts Council Literature Panel, vice-president of the Royal Society of Literature, Honorary Member of the American Academy, Member of the Irish Academy of Letters. Day-Lewis died on May 22, 1972, in the Hertfordshire home of Kingsley Amis and Elisabeth Jane Howard, where he and his wife were staying. A great admirer of Thomas Hardy, he had arranged that he should be buried as close as possible to the author's grave in Stinsford churchyard.

Day-Lewis's early mystery novels are full of literary references, from Shakespeare to Blake, Keats, Arthur Hugh Clough and A.E. Housman. A Question of Proof was set in similar preparatory school milieu, where he was teaching at the time. After starting his relationship Rosamond Lehmann, Day Lewis dedicated HEAD OF A TRAVELER (1949) to her children. Among Day-Lewis's best mysteries are THE BEAST MUST DIE (1938), a story of a father seeking revenge on the hit and run driver who killed his child, THE CASE OF THE ABOMINABLE SNOWMAN (1941), A TANGLED WEB (1956), based on a real murder case, and END OF CHAPTER (1957). The critic and award-winning mystery writer H.R.F. Keating included in 1987 The Beast Must Die among the 100 best crime and mystery books ever published. Day Lewis's own son was almost run over in a circumstance similar to that which the story describes. It begins with the promise: "I am going to kill a man... I have no idea what he looks like. But I am going to find him and kill him." The title of the story was taken from the text of Brahm's Four Serious Songs, a paraphrase of the Book of Ecclesiastes: "The beast must die, the man dieth also, yea both must die." THE PRIVATE WOUND (1968) concerns the problems that divide Ireland, and was considered the most autobiographical of the author's works in the mystery genre. THOU SHELL OF DEATH (1936) was a contemporary version of Cyril Tourneur's gory 1607 play, The Revenger's Tragedy. Day-Lewis's best-known children's book is THE OTTERBURY INCIDENT (1948), a story of a group of kids, who outwit criminals. In DICK WILLOUGHBY (1933) Day-Lewis depicted the life of a young Elizabethan, adding into his adventures secret tunnels, sword-play, an evil Catholic kinsman, and an innocent romance.

Nigel Strangeways: Oxford graduate, six feet tall, blue eyed, always at the disposal of Inspector Blount of Scotland Yard, the British Secret Service, and his many friends. In Thou Shell of Death Stangeways meets and marries explorer Georgia Cavendish, but after WW II he continues as a widower. During the years, Nigel Strangeways ages and changes, and sees the world less idealistically. It is told that the primary model for the detective was the writer W.H. Auden. - For further reading: C. Day Lewis by Clifford Dyment (1955);The Buried Day by C. Day Lewis (1960); C. Day Lewis, The Poet Laureate: A Bibliography by Geoffrey Handley-Taylor and Timothy d'Arch Smith (1968); C. Day Lewis by Joseph N. Riddel (1971); C. Day Lewis: An English Literary Life by Sean Day-Lewis (1980); Crime & Mystery: the 100 Best Books by H.R.F. Keatring (1987); St. James Guide to Crime & Mystery Writers, ed. by Jay P. Pederson (1996) - Other university professors who have published mystery novels: Michael Innes, Edmund Crispin.

Selected works:

  • BEECHEN VIRGIL AND OTHER POEMS, 1925
  • ed.: OXFORD POETRY, 1927 (with W.H. Auden)
  • COUNTRY COMETS, 1928
  • TRANSITIONAL POEMS, 1929
  • FROM FEATHERS TO IRON, 1931
  • THE MAGNETIC MOUNTAIN, 1932
  • DICK WILLOUGHBY, 1933
  • A HOPE FOR POETRY, 1934
  • REVOLUTION IN WRITING, 1935
  • COLLECTED POEMS 1929-33, 1935
  • A QUESTION OF PROOF, 1935
  • A TIME TO DANCE AND OTHER POEMS, 1935
  • NOAH AND THE WATERS, 1936
  • A TIME TO DANCE, NOAH AND THE WATERS..., 1936
  • THOU SHELL OF DEATH, 1936 - version of Cyril Tourneur's 1609 play The Revenger's Tragedy
  • IMAGINATION AND THINKING, 1936
  • WE'RE NOT GOING TO DO NOTHING: A REPLY TO MR. ALDOUS HUXLEY'S PAMPHLET 'WHAT ARE YOU GOING TO DO ABOUT IT?', 1936
  • FRIENDLY TREE, 1937
  • THERE'S A TROUBLE BREWING, 1937
  • ed.: A WRITER IN ARMS, 1937
  • ed.: THE ECHOING GREEN, 1937
  • ed.: THE MIND IN CHAINS, 1937
  • ed.: ANATOMY OF OXFORD, 1938
  • STARTING POINT, 1938
  • OVERTURES TO DEAT AND OTHER POEMS, 1938
  • THE BEAST MUST DIE, 1938 - Pedon on kuoltava (suom. Eva Siikarla) - film Que la bête meure/Killer!, dir. by Claude Chabrol (1969), starring Michel Duchaussoy, Jean Yanne, Caroline Cellier, Anouk Ferjac. - "As in La Femme infidéle, Chabrol's meticulous mise en scéne and plotting tracks the emergence of contradictory emotions as good (love) comes from evil (murder and hatred), but neither impulse is able to overcome the rigours of fate however much the characters seek to control the course of events. In this respect, Chabrol.s real master is Fritz Lang rather than the often cited Hitchcock." (from The BFI Companion to Crime, ed. by Phil Hardy, 1997)
  • THE SMILER WITH THE KNIFE, 1939
  • CHILD OF MISFORTUNE, 1939
  • screenplay: THE COLLIERS, 1939
  • screenplay: THE GREEN GIRDLE, 1940
  • POEMS IN WARTIME, 1940
  • translator: THE GEORGICS OF VIRGIL, 1940
  • radioplay: CALLING JAMES BRAITHWAITE, 1940
  • SELECTED POEMS, 1940
  • MALICE IN WONDERLAND / THE SUMMER CAMP MYSTERY, 1940
  • THE CASE OF THE ABOMINABLE SNOWMAN / THE CORPSE IN THE SNOWMAN, 1941
  • ed.: A NEW ANTHOLOGY OF MODERN VERSE 1920-1940
  • WORD OVER ALL, 1943
  • (POEMS), 1943
  • POETRY FOR YOU, 1944
  • SHORT IS THE TIME, 1945
  • ed.: ORION 2-3, 1945-46
  • MINUTE FOR MURDER, 1947
  • translator: THE GRAVEYARD BY THE SEA, by Paul Valèry, 1947
  • THE POETIC IMAGE, 1947
  • THE COLLOQUAIL ELEMENT IN ENGLISH POETRY, 1947
  • ENJOYING POETRY, 1947
  • POEMS 1943-47, 1948
  • THE OTTERBURY INCIDENT, 1948
  • COLLECTED POEMS 1929-1936, 1949
  • HEAD OF A TRAVELLER, 1949
  • THE POET'S TASK, 1951
  • SELECTED POEMS, 1951
  • THE GRAND MANNER, 1952
  • translator: THE AENID OF VIRGIL, 1952
  • THE DREADFUL HOLLOW, 1953
  • AN ITALIAN VISIT, 1953
  • THE LYRICAL POETRY OF THOMAS HARDY, 1953
  • COLLECTED POEMS, 1954
  • CHRISTMAS EVE, 1954
  • WHISPER IN THE GLOOM, 1954
  • NOTABLE IMAGES OF VIRTUE, 1954
  • ed.: THE GOLDEN TREASURE OF THE BEST SONGS AND LYRICAL POEMS IN THE ENGLISH LANGUAGE, 1954
  • ed.: THE CHATTO BOOK OF MODERN POETRY 1915-1955, 1956
  • ed.: NEW POEMS, 1957
  • A TANGLED WEB / DEATH AND DAISY BLAND, 1956 - Langat sekoavat (suom. Päivi Heikinheimo)
  • END OF CHAPTER, 1957 - Luvun loppu (suom. Eero Ahmavaara)
  • THE NEWBORN, 1957
  • PEGASUS AND OTHER POEMS, 1957
  • THE POET'S WAY OF KNOWLEDGE, 1957
  • A PENKNIFE IN MY HEART, 1958
  • THE WIDOW'S CRUISE, 1959
  • THE BURIED DAY, 1960
  • THE WORM OF DEATH, 1961
  • ed.: A BOOK OF ENGLISH LYRICS, 1961
  • THE GATE AND OTHER POEMS, 1962
  • THE DEADLY JOKER, 1963
  • ed.: THE COLLECTED POEMS OF WILFRED OWEN, 1963
  • translator: THE ECLOGUES OF VIRGIL, 1963
  • THE SAD VARIETY, 1964
  • REQUIEM FOR THE LIVING, 1964
  • ON NOT SAYING ANYTHING, 1964
  • A MARRIAGE SONG FOR ALBERT AND BARBARA, 1965
  • THE ROOM AND OTHER POEMS, 1965
  • THE LYRIC IMPULSE, 1965
  • THOMAS HARDY, 1965
  • THE MORNING AFTER DEATH, 1966
  • THE NICHOLAS BLAKE OMNIBUS, 1966
  • C. DAY LEWIS: A SELECTION FROM HIS POETRY, 1967
  • SELECTED POEMS, 1967
  • THE ABBEY THAT REFUSED TO DIE, 1967
  • THE PRIVATE WOUND, 1968 - Haavoista syvin (suom. Hilkka Pekkanen)
  • A NEED FOR POETRY, 1968
  • ed.: THE MIDNIGHT SKATERS, 1968
  • ed.: THE POEMS OF ROBERT BROWNING, 1969
  • THE WHISPERING ROOTS, 1970
  • GOING MY WAY, 1970
  • ON TRANSLATNG POETRY, 1970
  • ed.: A CHOICE OF KEATS VERSE, 1971
  • translator: THE TOMTIT IN THE RAIN, by Erzsi Gazdas (with Mátyás Sárközi), 1971
  • ed.: CRABBE, 1973
  • ed.: A LASTING JOY, 1973
  • POEMS OF C. DAY LEWIS 1925-1972, 1977
  • POSTHUMOUS POEMS, 1979


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