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Paavo Haavikko (1931-2008) | |
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Prominent Finnish poet, essayist, dramatist, and fiction writer, winner of the Neudstadt International Prize for Literature in 1984. Haavikko emerged from the modernist movement that started in Finland in the 1950s. His first collection of poetry, TIET ETÄISYYKSIIN, appeared in 1951. Haavikko wrote highly original and critically acclaimed works in almost every conceivable literary form from poetry and novels to radio and television plays and opera librettos. When you go to the the tyrant. Keep your head on Paavo Haavikko was born into a business family, the third son of Heikki Haavikko, managing director, and Rauha Pyykönen. From an early age, Haavikko sufferd from a slight speech impediment – he was unable to pronounce the letter "r" correctly. Haavikko's father died in 1951, in the same year he graduated from the Kallio Coeducational School, and published his first collection of poems, TIET ETÄISYYKSIIN (1951, The Roads That Lead Far Away). This collection, which showed none of the weaknesses of an apprentice effort, already included some of Haavikko's favorite images – the king, palaces, gardens, and the woods. Before devoting himself entirely to writing, Haavikko worked for a period at the family business. In the fifties Haavikko was at the forefront of the emerging modernist movement, and in the following decades he went on to have a profound influence on many other genres as well. As a result of his literary achievements, Haavikko became the leading writer of his generation and of the entire postwar period in Finland. In TALVIPALATSI (1959, The Winter Palace) Haavikko developed the modernist technique to its most crystallized form. The work is considered the highest achievements of the new poetry. "Silver that I chase images into juxtaposed to make them speak," Haavikko said in its 'First Poem'. Haavikko examined the problems and conditions of writing, and aimong at to remodel his relationship with language, or the world, where everything is impossible. In the 1960s Haavikko published only one collection of poetry, PUUT, KAIKKI HEIDÄN VIHREYTENSÄ (1966), which sarcastically interprets Finland's recent history. His shift from poetry to prose occurred in the period when a new type of writer emerged on the literary scene – an active debater, who gives statements to the media. Pamphlets, documentary novels, and reports were considered a faster way to analyze social change than novels. As an early start to this period Haavikko wrote YKSITYISIÄ ASIOITA (1960), which is about a fact-and-object-obsessed salesman who refuses to become involved. The short story 'Lumeton aika' (publ. as 'Before History Begins', in the anthology The Short Story Today, New York, 1967) is a dispirited story about Finland where "progressive forces" have taken power and apparently built a typical socialist order. In TOINEN TAIVAS JA MAA (1961) Haavikko dissected events leading to a double suicide and in VUODET (1962) he dispassionately described the life of a tramp. His own skeptical philosophy about the world, based on opposition to totalitarian ideologies and to liberal compromises, was already developed in his early novels and plays. Haavikko's experience as a businessman and investor provides him with a profound understanding of economics. During the 1980s Haavikko cultivated numerous genres side by side: poetry, aphorisms, and works that are syntheses of these genres, among them his book on civil liberties, KANSALAISVAPAUDESTA (1989). As a widely read columnist among others at the weekly magazine Suomen Kuvalehti, Haavikko scrutinized Finland's leading politicians and civil servants in an exceptionally harsh light. Presidents Mauno Koivisto and Martti Ahtisaari were Haavikko's most prominent targets, but they carefully avoided public confrontation with the writer. Haavikko's interest in contemporary issues also separated him from the majority of Finnish poets, who usually avoid clear statement, or whose opinions really doesn't interest the reading public. Perhaps this strait especially in Haavikko's later work can be understood as a reaction to the "thinness" of modernism. Haavikko's attitude to President Urho Kekkonen was ambivalent. When a number of intellectuals, writers, and artists were both lured and flattered by President's attention, Haavikko kept his distance. He saw Kekkonen's superiority compared to other politicians, but more than once he called him a "Renaissance prince", which referred not only to the President's active role as a patron of the arts but also hinted at his use of power. However, Haavikko agreed to write Kekkonen's book of memoirs, Vuosisatani, which appeared in 1981, and immediately sold 25 000 copies. In this work Haavikko used the first person, thus identifying as a biographer with the strong political leader. In his own memoirs (1994-95) Haavikko used the third person. Like such writers as Veijo Meri, Lauri Viita, and, later in the 1960s, the politically oriented poet Pentti Saarikoski, Haavikko created his own world of expression, searching his way out from the conservative pressures of literary tradition. At the age of 18 he had read T.S. Eliot's Four Quarters, which impressed him deeply. The central themes in Haavikko's poetry are language and poetry itself, love and death, history and power, money and business. From the start of his career, Haavikko examined the role of an artist in a society, which do not discuss: "oh let my voice go away from here, I deserve that / and I don't like it here / in this non-commercial world / that has been pieced together". (from Talvipalatsi, 1959) Haavikko used language economically and he favored paradoxes. With the precision of a scientist he often juxtaposed images so that phenomena are examined through their antitheses. The tone is unsentimental and neutral, but he did not hesitate to give advice or teach: "When they're buying, sell. Buy when they're selling. / First think slowly, then act quickly. / Get out of bad business fast." (from In the World, 1974) One of Haavikko's collections of aphorisms was actually entitled Speak, Answer, Teach (1972). Pessimism marked his view on the way of the world: "Nothing goes as planned. / Everything goes. / You don't get a grip on your life, because it's a barney; life gets no grip on you, on me, and never will. / It summons the bouncer, whose grip is belief." (from 'May, Perpetual', 1988, trans. by Herbert Lomas) Haavikko depicted power through kings, statesmen, wealthy merchants, people making history and imprisoned by the inevitable course of events. His aphoristic style created sayings that were adopted as national property as if they had long existed in folklore. Among them is the much quoted "real delicates are raw: oysters, salmon, and power". Although Haavikko made his début as a modernist, some of his best-known works return without romanticism to the world of Finnish folklore and the Kalevala, as in the epic poem KAKSIKYMMENTÄ JA YKSI (1974). The television drama RAUTA-AIKA (1982) called to forget the Kalevala but was based on Kalevalaic characters. KULLERVON TARINA (1982) was a portrayal of the tragic hero of the epic. In AGRICOLA JA KETTU (1968) Haavikko took his subject from Finland's history, when the country was caught between two strong rulers, King Gustavus Vasa and Ivan the Terrible, who strongly resemble the Finnish President Juho Kusti Paasikivi and the Soviet dictator Josef Stalin. A similar theme is seen in Audun and the Polar Bear (1967), in which the bear's clever owner, Audun, uses his wits to survive between Norway's Harald and Denmark's King Sveinn, two superior powers. Harald Pitkäikäinen, Haavikko's Viking ruler from his radio plays, had much in common with President Urho Kekkonen. A Musical Evening in Viipuri in the Year 1918 (1978) is based on an actual event: the murder of Toivo Kuula, a promising young composer, who died in a brawl during the Finnish Civil War. Haavikko presented the observations of various witnesses but avoided giving advice on how to regard the evidence just heard. Another successful play from the 1970s, KUNINGAS LÄHTEE RANSKAAN (1974, The King Goes Forth to France), was performed at Covent Garden in 1987. "I believe that in the end all literature is first-person, even though the terms he and she are often used in place of the word I. I also believe that every story has its own omniscient storyteller-god, and that the more demanding and knowing that god is, the less he is present.." (from Vuosien aurinkoiset varjot, tr. by Jill Timbers, 1994) Haavikko's non-fiction include the polemic KANSAKUNNAN LINJA (1977), in which he discussed "the unknown history of an unknown nation 1904-1975", and diverged from academic interpretations. When the English historian Anthony Upton criticized Haavikko's conclusions of the events of 1939-41, Haavikko answered: "I wrote my book not only from the viewpoint of the rope but also from the viewpoint of the man to be hanged." YRITYS OMAKSIKUVAKSI (1987), VUOSIEN AURINKOISET VARJOT (1994) and PROSPERO (1995), were Haavikko's autobiographical works. In Yritys omaksikuvaksi Haavikko returned to his childhood. He was born and brought up in Kallio, a working class area. His father was a bookbinder who eventually established his own business – he was an importer of office supplies and paper goods. "In the kitchen is a bed, which is for the housemaid. That's Martta. I opened the door for her down there when she arrived. Someone had left. Martta says don't touch your willy because when you're in the army you're made to stand in a row, and the one with a big willy is ashamed. When you go to the lavatory, you have to lift up the seat so that you don't make drips on the seat. The lavatory is small and high, and the upper part links through to the bathroom." (trans. Hildi Hawkins, from Helsinki: a literary companion, 2000) After spending some time in the real estate game, Haavikko joined one of the major Finnish publishing companies, Otava. He worked as literary manager from 1967 to 1983, becoming a member of the board in the late 1960s. After restoring Otava's financial health and literary profile, he was forced to resign from his post, while his leaving the company was widely reported to be voluntary. In 1989 Haavikko founded his own publishing firm, the Art House, which gained fame for its focus on non-fiction literature, science, physics, mathematics, and other "hard" sciences. In 2001 its turnover was 10 million FIM, but often his business had more debt than profit. Under the influence of Catovit tablets he also made some bad investments. At the age of 70, Haavikko retired from his work as the managing director from the beginning, but continued as the chairman of the board. In 2007 he entered into contract with Otava Publishing Company. Haavikko was first married the prominent writer Marja-Liisa Vartio (1924-1966) and then to Ritva Rainio. The tragic death of his first wife was a shattering blow to him; Haavikko never fully recovered from it and never stopped blaming himself for her death. In 1969 Haavikko received an honorary Doctor of Philosophy degree from Helsinki University. Haavikko won the Nordic Council Drama Competition in 1996, but declined to attend the celebration. In his diary from August 1995 to December 1998, KAHDEN VUODEN PÄIVÄKIRJA (2001), Haavikko revealed his – justified – bitter thoughts about the way in which critics have treated his works. In 2001 Haavikko published five books, none of which were included among the best works of the year, recommended by the leading newspaper Helsingin Sanomat. However, the magazine Suomen Kuvalehti selected Haavikko's collection of aphorisms, KÄYTÄNNÖN METAFYSIIKKA, in the list of 86 most interesting books of 2001. In 2002 Haavikko received the Nossack Prize. Haavikko died on October 6, 2008. Life being short, poverty and wealth The composer Aulis Sallinen has set several of Haavikko's textual librettos to music, including the operas KUNINGAS LÄHTEE RANSKAAN (1974) and RATSUMIES (1974, The Horseman), both based on the Finnish history between two conflicting powers. Haavikko's latest opera libretto was about Paavo Nurmi. The premiere of the opera, directed by Kalle Holmberg, took place in August 2000. One performance was canceled because of Tina Turner's rock concert. A number of Haavikko´s works have been translated into English, among them The Winter Palace, The Horseman, and The King Goes Forth to France. Selections of poetry have appeared in Snow in May: An Anthology of Finnish writing 1945-1972 (1978), World Literature Today (1974), Salt of Pleasure (1993), Books from Finland 2 (1984), Poems for the Millenium – Book of Modern & Postmodern Poetry (1998), ed. by Jerome Rothenberg, Pierre Joris. Selected poems was published in 1991 (translated by Anselm Hollo).
Selected works:
Some rights reserved Petri Liukkonen (author) & Ari Pesonen. Kuusankosken kaupunginkirjasto 2008 |
