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Hayyim Nahman Bialik (1873-1934) - name also transliterated Chayim Nachman Bialik

 

Poet, translator, essayist, storyteller, editor, one of the greatest Hebrew poets of all time. Bialik is considered Israel's national poet, although he did not live to witness the birth of the State of Israel. Several of his poems have been set to music and gained wide popularity as songs. Some of his works Bialik wrote in Yiddish but most of his important writings are in Hebrew. In many poems Bialik depicted the suffering of his people, but he also could ridicule the weakness and passivity of his fellow intellectuals.

You have not changed, you're antic old,
There's nothing new I think;
Friends, let me join your club, well rot
Together till we stink.

(from 'On My Return')

Hayyim Nahman Bialik was born in Radi, in Volhynia, Russia. He was the youngest of seven children of Reb Yitzok Yoissef Bialik, a scholar and unsuccessful businessman, and Dinah (Priveh) Bialik. After his father's death in 1880, he was raised in Zhitomir by his learned, sternly Orthodox grandfather Reb Yaakov Moishe Bialik, whose motto was "Spare the rod, spoil the child." The loss of his father at an early age and life in new surroundings shaped Bialik's thought and later his poems about exile also echoed his personal feelings of rootlessness.

Bialik received a traditional Hebrew education, but was also influenced by his mother's interest in Russian and European literature. At the age of eleven he read the Kabbalistic literature of the Middle Ages. Some years later he began to study the Talmud, and spent much time in the beth hamidrash, the traditional house of learning. In 1890 he moved to Volozhin in Lithuania to study at its famous Talmudic Academy (yeshiva). For his disappointment, the curriculum did not include secular subjects. Next year he went to Odessa and devoted there himself to the study of Russian and German. During this period he composed poems which reflected the themes and styles of the Jewish enlightenment (haskalah). Among his friends and mentors was the early Zionist ideologist Ahad Ha'am (1856-1927), whose thoughts influenced his writing. He also admired the work of Samuel Frug, a romantic Russian Jewish poet.

Unable to find employment in Odessa, Bialik returned in 1892 to Zhitomir, and married Manya Auerbach. It was an arranged marriage; his wife was a daughter of a prominent lumber merchant. Bialik's business venture with his father-in-law failed and he moved in 1897 to Sosnowice, a small town near the Prussian border. There Bialik worked as a teacher, edited and produced Hebrew school texts and children's poems, and tried to earn extra income as a coal merchant without much success. However, Bialik's fame as a poet had started to grow and he returned to Odessa, a center of Hebrew literature. At a time when most Jews were forbidden to live in Moscow or St. Petersburg, Odessa had many times more Jews than any other city in the Russian part of the empire. Later the people of its famous ghetto, the Moldavanka, was celebrated in Isaak Babel's Tales of Odessa (1931).

Bialik worked in Odessa as head teacher in a new Ahad Ha'amist elementary school, and continued his activities in Zionist and literary circles. Bialik's first volume of poetry came out in 1901 in Warsaw. He visited Palestine in 1904 and 1908 and also spent some time in Warsaw (1903-05), editing the magazine Ha-Shiloah, which had been founded by Ahad Ha'am. In the early 1900's Bialik founded with Y.H. Ravnitzky (1859-1944) a Hebrew publishing house, Moriah, which issued Hebrew classics and school literature. He translated various European works, such as Shakespeare's Julius Caesar, Schiller's Wilhelm Tell, Cervantes' Don Quixote (probably from the Russian and German versions), and Heine's poems. In collaboration with Yehoshua Hana Ravnizsky Bialik published Sefer Ha Aggadah (1908-1911, The Book of Legends), a three-volume edition of the folk tales and proverbs scattered through the Talmud. For the book they selected hundreds of texts and arranged them thematically. The Book of Legends was immediately recognized as masterwork and has been reprinted numerous times. Bialik also edited the poems of the medieval poet and philosopher Ibn Gabirol and began a modern commentary on the Mishna, the oral law.

Bialik's first long poem, 'Ha-Matmid', published in Ha-Shiloah, established his fame as one of the most important Hebrew poets of his time. It presented the Taldumic student as a heroic force of Judaism and depicted the rapidly vanishing life of traditional orthodox Jewish past. Bialik's early poems often dealt with the gap between modern life and religious faith, and the bitterness of exile. He used biblical language and images, but did not slavishly imitate earlier writings. Although his best-known poems are about the tragedy of the Jewish people and national and individual redemption, he also produced passionate love poems. Apathy and inability to act he mocked in such poems as 'On My Return' and 'Summer is Dying,' in which he wrote: "The heart is orphaned. Soon a rainy day / Will softly tap the pane." The poem continues with another voice, which wakes up the day-dreamer: '"Look to your boots, patch up your coats, go fetch / The potatoes again."' With his call for a reawakening and modernization of language Bialik deeply influenced the Renaissance period of Hebrew literature on its way from Europe to Palestine.

Rise and go to the town of the killings and you'll come to the yards
and with your eyes and your own hand feel the fence
and on the trees and on the stones and plaster of the wall
the congealed blood and hardened brains of the dead.

(from 'City of the Killings,' translated by Atar Hadari)

'City of Killings' concerned the Kishinyov Pogrom, during which about 50 people were massacred. The poet guides the reader through the horrible sights of the slaughter and asks: "And who else is like God and earth and can bear this in silence?" It is said that Bialik's castigating passivity against anti-Semitic violence furthered the idea of founding Jewish self-defense groups in Russia, and eventually the Haganah in Palestine. His other famous poems include 'Metei midbar' (Dead of the Desert), 'Ha-Berekhah' (The Pool), and 'Mgilat haesh' (1905, The Scroll of Fire), set in the time of the destruction of the first temple in Jerusalem. From 1908 Bialik wrote more prose than poetry. Most of his works Bialik wrote in Hebrew, believing that Yiddish was doomed to die out in eastern Europe.

After the Bolshevik Revolution the Communist authorities viewed with suspicion Bialik's work for the Hebrew culture, and the publishing house Moriah was closed. With the help of Maxim Gorky, Bialik received a permission to emigrate. He migrated to Berlin, where he established the Dvir publishing house. In 1924 he moved to Tel Aviv  at that time Palestine was administered by Britain under a League of Nations mandate. During the last decade of his life, Bialik participated in a number of cultural pursuits, but wrote only a few poems. He delivered the address that marked the opening of Hebrew University in Jerusalem, was a member of its board of governors, visited the United States on behalf of the Palestine Foundation Fund, toured in Poland, and founded the weekly philosophical and literary discussions in Tel Aviv, which he called "Oneg Shabbat" (Enjoyment of the Sabbath). Bialik died in Vienna, Austria, on July 4, 1934, following a surgery. He was buried in Tel Aviv. Bialik's poems have been translated into some 30 languages. His home, designed by Yossef Minor at 22 Bialik Street in Tel Aviv, was later opened to the public as a museum. Bialik's poems  and songs based on them  have become an essential part of the education and culture of modern Israel. They are read at schools, and his verses and expressions are frequently recited in festivals and all kinds of public events.

For further reading: H. N. Bialik and the Prophetic Mode in Modern Hebrew Poetry by Dan Miron (2000); Li-netivah ha-ne`elam: `ikvot parshat Irah Yan bi-yetsirat Byalik by Zivah Shamir (2000); Byalik ben `Ivrit le-Yidish by Yitshak Bakon (1987); Mivhar shire H.N. Byalik: `im sheva` hartsa'ot `al shirav / me-et Pinhas `Sadeh by Hayyim Nahman Bialik (1985); World Authors 1950-1970, ed. by John Wakeman (1975); After the Tradition by R. Alter (1969); Bialik Speaks: Words from the Poets Lips, Clues to the Man by Mordecai Ovadyahu. [Translated by A. El-Dror (1969); Byalik be-shirato by Zvi Adar (1966); The Modern Hebrew Poem Itself, ed. by S. Burnshaw (1965); Ritmim be-shirat Biyalik by Zusha Shapira (1965); Pirke zikhronot by Manya Auerbach Bialik (196-); Mar'ot shetiyah be-shirat Byalik by Elieser Kagan (1959); Bialik by Fischel Lachower (1944-49); Hayyim Nahman Bialik by Israel Isaac Efros (1940); Chajjim Nachman Bialik; eine Einführung in sein Leben und sein Werk. Mit einigen Ubersetzungsproben und Gedichtanalysen by A.E. Simon (1935); Hebrew Reborn by S. Spiegel (1930) - Note: I wish to thank Mirkku Ben-David (Israel) and Orly Orava (Kuusankoski, Finland) for their help in writing this page.

Selected works:

  • 'Ha-Matmid', 1898 (written; The Talmud Student)
  • 'Al haSchechitah', 1903
  • 'Ha-Berkhah', 1904 (The Pool)
  • 'Be Ir HaHaregah', 1904 (In the City of Slaughter / City of the Killings)
  • 'Mgilat haesh', 1905 (The Scroll of Fire)
  • Sefer Ha Aggadah, 1908-1911 (Rabbinic Lore; ed., with Jehoschua Hana Rawnitzky) - The Book of Legends (introduction by David Stern; translated by William G. Braude, 1992)
  • Cervantes's Don Quixote, 1912 (translation into Hebrew; abridged version)
  • Ha-Halakhah veha-agadah, 1917
  • Shirim: Lider un poemen, 1922
  • Schiller's Wilhelm Tell, 1923 (translation into Hebrew)
  • Law and Legend: or Halakah and Aggada, 1923
  • Poems from the Hebrew, 1924 (edited by L. V. Snowman, with an introduction by Vladimir Jabotinsky)
  • Kitve H. N. Bialik umivchar tirgumav, 1926 (4 vols.)
  • Selected Poems, 1926 (translated from the Hebrew by Maurice Samuel)
  • Aggadat shloshah vearbaah, 1930 (The Legend of Three and Four)
  • Vayehi HaYom, 1934
  • Safiah, 1934
  • Igrot H. N. Bialik, 1937-39 (Letters; 5 vols.)
  • And It Came to Pass, 1938 (translated by Herbert Danby, with woodcuts by Howard Simon)
  • Knight of Onion and Knight of Garlic, 1939 (translated by Herbert Danby; illustrated by Emanuel Romano)
  • Aftergrowth and Other Stories, 1939
  • Far over the Sea: Poems and Jingles for Children, 1939 (translated by Jessie Sampler, illustrated by Louis Kabrin)
  • Di yidishe agode, 1948 (editor)
  • Schriften, 1946
  • Complete Poetic Works of Hayyim Nahman Bialik, 1948 (edited by I. Ephos; only one vol. published)
  • The Hebrew Book: An Essay, 1951 (translated by Minnie Halkin)
  • Selected Poems, 1965 (rev. ed., edited, with an introd., by Israel Efros, illus. by Lionel S. Reiss)
  • Selected Poems, 1972 (English translation by Maurice Samuel, illustrated by Maida Silverman)
  • And It Came to Pass, 1975
  • Halifat mikhtavim ben Hayim Nahman Byalik u-ven Vladislav Harfustah, 1976
  • Selected Poems, 1981 (translated by Ruth Nevo)
  • Ahavat hen: shire ahavah, 1982 (Love Poems;  illustrated by Gidon Binstock)
  • The Poems of Bialik, 1987
  • Be-ginat ha-yarak, 1990
  • The Book of Legends, 1992 (translated by William G. Braude)
  • Shirot Bialik: A New and Annotated Translation of Chaim Nachman Bialik's Epic Poems, 1998
  • Random Harvest: The Novellas of C. N. Bialik, 1999 (translated by David Patterson, Ezra Spicehandler)
  • Songs from Bialik: Selected Poems of Hayim Nahman Bialik, 2000 (edited by Atar Hadari)
  • Mi-sod hakhamim: mikhtavim 1909-1970, 2002  
  • Selected Poems, 2004 (edited and translated by David Aberbach)
  • Ha-Yetsirot ha-gedolot be-yoter, 2004
  • Giv'ole eshtakad, 2005
  • Ha-Tarnegolim veha-shu'al, 2005
  • Ha-Na'ar ba-ya'ar: ma'saseh nora be-na'ar she-barah mi-bet ha-sefer la-ya'ar, 2007
  • Etsbe'oni, 2008
  • Hayim Nahman Byalik: ha-sipurim, 2008
  • Sipurim, masot, shirim, 2008


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