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Anni (Viktoria) Blomqvist (1909-1990) | |
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Swedish-speaking Finnish writer, a fisherman's wife who began her writing career in the 1960s. Blomqvist gained popularity with her novels about the harshly beautiful Åland Islands. In Finland-Swedish literature Blomqvist has become an encouraging model for other self-taught authors. --"Tiden låter sig inte hejdas av dödens framfart. Den stannar heller inte och väntar på dem som med blytunga fötter och sönderkrossade hjärtan måste kämpa sig över det väldiga tomrum som dödens slag lämnade efter sig. Anni (Blomqvist) Karlsson was born in Vårdö, the daughter of farmer Viktor Hjalmar Karlsson and Anna Xenia Johansson. She was the eldest of ten children. From an early age, she helped her parents with fishing and on the farm. Because the children had no ready- made toys, they invented their own fantasy plays, and made their own toys. Often in the evenings they listened to stories told by older people, dealing with stange occurences, ghosts, treasures buried in the ground, giants, and dragons. The Bible was in every house and world events were followed from the newspaper Ålandstidningen. A number of Blomqvist's small cousins lived on the same main island. Five of them became writers – the most famous was Sally Salminen. After finishing elementary school, Blomqvist was educated as a seamstress in Marianhamn. She financed her studies by working among others as a caretaker of the school. In 1936 she married Valter Blomqvist, who was a sailor before becoming a fisherman. They had known each other from childhood, and had been in correspondence since Anni's confirmation. Tommy, their first son, was born in 1939. Next year Blomqvistgave birth to twin sisters, who lived only four hours. Bengt, their last child, was born in 1945. Blomqvist lost her husband tragically in 1961, when he drowned with Tommy on a fishing trip. Their marriage was happy and after his death she wrote: "I'm lying full awake in the darkness, and Valter is not beside me. I can't hold his big, safe hand..." When he disappeared she had a vision of her husband and her son and the fury of the sea bringing a big wave over their small boat, the Delfin. Their bodies were never found. "Jag känner det som om jag skulle ha fått en egen tideräkning. Nu är det tredje resan de far ut. Först var det resan med det första motorhaveriet. Sedan resan med det stora olyckstillbudet. Det här är den tredje resan. Det händer ingen mer olycka nu när de har den nya motorn." (from I stormens spår, 1966) To overcome the feeling of emptiness, Blomqvist began to write. Her first efforts Blomqvist showed to Margit von Willebrand-Hollmerus, who encouraged her to continue. In 1949 she won a writing competition arranged by the Martta organization. Her story was published in the magazine Husmodern, which opened a channel for further contributions to different magazines. An invitation by Stig Jaatinen, professor of geography at Helsingfors, to collaborate on a study of her island community, led Blomqvist to focus on books about the lives of fishermen and their families. Blomqvist's first book, I STORMENS SPÅR (1966), appeared when she was 57. It was followed by several other works portraying the harsh and the gentle nature of Åland Islands. I stormens spår looked back over her life as the wife of a sailor in the Åland merchant fleet. It also depicted risky voyages to Sweden during World War II, happy times, and the purchase of her husband's own boat. The sincerity of the survival story immediately won her a public, that shared the same values of hard work, persistence, and indomitable spirit. After her breakthrough as a writer, Blomqvist published five novels, the Stormskär series, about a fisherman's wife named Maja. VÄGEN TILL STORMSKÄRET (1968), MED HAVET SOM GRANNE (1969), MAJA (1970), I KAMP MED HAVET (1971), and VÄGEN FRÅN STORMSKÄRET (1973) presented Åland from the standpoint of a woman, who had to struggle not against the hard nature but also find her place in the patriarchal family. The model for Maja was Blomqvist's maternal grandmother's sister, Maria Mickelsdotter, who lived in the 19th-century. She died in 1901 on a remote island, but Blomqvist had heard in her childhood stories of her life, and the endless loses she had suffered. Her husband, however, did not drown but died at the age of 59 from a stomach complaint. "Det känns som en kniv skulle skärä upp och ned. Maja torkar tårarna från kinden, knäpper ihop bluslivet och lägger Gabriel i vaggen. Hon tar ett steg mot Janne och smeker honom över håret, han drar henne ned på sitt knä, men de säger ingenting mera. Det är bara nära varandra i en smärta som känns alltför stor." (from Maja, 1970) After publishing SKIMSKÄLÄ (1977), the study proposed by Professor Jaatinen, and I NÖD OCH LUST (1978), a story about hard work and marital devotion, Blomqvist started a new series with a new protagonist, Anna Beata, a woman of the isles. The trilogy included ANNA BEATA (1979), ANNA BEATA MÖTER KÄRLEKEN (1981), and ANNA BEATA FÅR EGET HEM (1983). It was partly based on the life of her maternal grandmother. Blomqvist's last novel was HAVET FINNS INTE MER (1989), a pious report on the drowning of her younger son, Bengt, in 1987. After a full two months his body was found lying on a beach, "as if lifted out of the sea by God's invisible hand." The novel appeared when the author was 80. Blomqvist died on Vårdö on June 26, 1990. Her Stormskär series (The Storm Islands) was adapted into an acclaimed television drama, directed by Åke Lindman and starring Rose-Marie Rosenback and Leif Sundberg. Its theme song, composed by Lasse Mårtenson, became very popular. Through the television series the protagonist, Maja, became an icon in Finnish literature, a loving and toiling woman, the always unpredictble sea providing the background for her story. Blomqvist received in 1975 the State Literature Award and in 1977 she was awarded with Pro-Finlandia medal.
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